SHARKTOPUS (****)
Dir: Declan O'Brien. Starring: Eric Roberts, Sara Malakul Lane, Kerem Bursin
What with Mega Shark Vs Giant Octopus and Mega Shark Vs Crocosaurus we're surfing a new wave of large killer seafood films. But is the world really ready for Sharktopus?
Said giant beastie is an experimental US navy weapon – of course it is: this is clearly just what navies have been crying out for – but, accidents being accidents, it's less than 10 minutes before they've 'unleashed an eight-legged man eating shark on the world”.
The world in question largely comprises Mexican holiday beaches where nubiles are enthusiastically chomped on. There's also, of course, an intrepid journalist chasing the story and the team of scientists who created it trying to find a solution.
This is gloriously bad in a cheesy 70s way, so much so that it is often hard to tell which bits are deliberately funny and which are merely incompetent. But yet this is streets ahead of the two exploitation cheepies previously mentioned: it comes from the legendary producer Roger Corman, it's a real film, and Eric Roberts is in it!
Meanwhile the acting, dialogue and special effects skirt a line which may possibly make intoxicated brains explode with the gleeful absurdity of it all. From the opening Jaws homage to the completely bonkers finale, there's rarely a dull moment. If you only watch one giant sharktopus movie this year, make it this one. C'mon, you know you want to...
At the centre of Love and Other Drugs (**) Jake Gyllenhaal and Anne Hathaway mount a considerable charm offensive. But they struggle to hold together a film which simultaneously juggles standardised rom-com tropes, broad Apatow-style sidekicks and sex, and disease weepy clichés. He's a chick magnet pharmaceutical rep, she's a Parkinson's sufferer; the minute they agree to keep their relationship light and physical you know where things are going. Oh, and he sells Viagra, though that feels like a whole different unexplored plot. There's funny, clever dialogue and plenty of naked flesh, but unless you are won over by the stars, this makes for an unsatisfyingly contrived mix.
City Island (***) is a sweet little film set on a tiny island that is a suburb of New York. There Andy Garcia's prison guard lives with wife Julianna Margulies (TV's The Good Wife) and family and, though outwardly happy, they all keep secrets. One of these emerges when Garcia meets an inmate he thinks to be his long lost love child and brings him home. Garcia is also secretly taking acting lessons (there's a lovely cameo by Alan Arkin as his teacher), and things in the clan slowly splinter. No big fireworks, but a well-written and warm-hearted drama.
Happily distinguishing itself in the ‘psycho chick' sub-genre of cult horror films, The Loved Ones (***) finds troubled teen Brent becoming even more troubled at the hands of school misfit Lola Stone. She favours a lurid pink party dress and, with the help of her equally unhinged father, is bent on recreating the end of school dance in a version including syringes, mutilation and other bad craziness. This Aussie effort certainly stands out, a gleeful pitch-black comedy of terrors, with the monstrous Lola set to join Kathy Bates nurse from Misery and other bunny boilers in the pantheon of truly memorable female movie crazies.
Remember Mike Myers in the ill-judged movie version of The Cat in the Hat? Remember how it degenerated into a tasteless star vehicle that stomped over every cherished memory you had of the book? Welcome to Jack Black in Gulliver's Travels (*). I guess it seemed like a good idea at the time, and Black is a likable comedian, but this sinks like an unfunny stone under the weight of crass misjudgements. On the bright side there is the odd effective sight gag but, generally, the cast – stuffed with talent, from Jason Segel and Emily Blunt to Billy Connolly and Catherine Tate – have little to work with.
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